Self-portrait |
Short Biography of Leonardo da Vinci
He was born as illegitimate son of a Florentine noble and
peasant woman Leonardo grew up in Vinci, Italy. In his formative years he
developed a love of nature and from an early age displayed his remarkable
talents and capacities.
In 1466 he moved to Florence where he entered the workshop
of Verrocchio. His early style reflected his teacher, but he soon developed an
artistic sense which went far beyond his teachers rigid style. His first work
of great significance was the “Adoration of the Magi” commissioned by monks of
San Donato a Scopeto. Although unfinished, the work was a masterpiece and
introduced several new ideas. In particular he introduced the themes of
movement and drama. He also pioneered the use of Chiaroscuro. This is the
technique of defining forms through the contrast of light and shadow. This
would be later used to great effect in the Mona Lisa.
In 1482 Leonardo went to the court of Ludovico Sforza for 16
years in Milan. Here he continued painting and also branched out into other
interest such as engineering and anatomy.
During this period he painted the famous “Madonna on the Rocks” and also
“the Last Supper” This has been described as one of the greatest spiritual
paintings. With Christ at the centre of the picture it embodies great feeling
and action as Christ is about to announce his imminent betrayal. Unfortunately
over the time the quality of the original painting has deteriorated despite
frequent restoration attempts.
Leonardo Da Vinci and Mona Lisa
In 1499 his patron L. Sfoza was defeated by the French
invasion, thus Leonardo, after a time, returned to Florence. During this period
he painted the fresco of the battle of Anghiari. This artwork was to exert
tremendous influence over future artists. However it was unfortunately never
completed and was later destroyed. It was also in this period that Leonardo
completed The Mona Lisa. The Mona Lisa is one of the worlds most famous and
intriguing pictures. The Mona Lisa is a portrait of a wife of a Florentine
noble. For several days she came to Leonardo and sat for her portrait to be
painted. However she refused to smile, Leonardo even tried hiring musicians but
to no avail. One day just for a fleeting second she gave a faint smile and
Leonardo was able to capture it. Her smile encapsulates a tremendous
mysteriousness which is both fascinating and intriguing. Sri Chinmoy said of
the Mona Lisa.
“That smile has immortalized her, immortalized the artist
and immortalized the art. Artist and art have been immortalized by just a faint
smile, a smile that has an enigmatic touch. Even now a soul-touch is there, and
that soul-touch has conquered the heart of the world.”
In this picture Leonardo masters the techniques of sfumato
and chiaroscuro. Sfumato involves the most gradual switch from colour to the
other giving a very delicate and expressive images. Chiaroscuro as mentioned
before highlights the contrasts light and shadow. In the Mona Lisa this is most
evident in the contrast between face and dark background.
In this period Leonardo extended his studies into
engineering, science and other subjects. There seemed to be no end to his
interest. He made copious notes in his complex mirror handwriting. A lot of
which wasn’t deciphered in his lifetime. He also drew complex models of
machines, in particular he was fascinated by flight. He used to buy birds just
so that he could release them so he could enjoy watching them fly away. He also
attempted to build a flying object himself. Machines that he drew on paper,
such as helicopters, would become a reality many centuries later. If his
medicinal studies had been published, it would have revolutionised the science,
as he was one of the first to understand the circulation of blood within the
body. There seemed to be no limit in the scope of his interest and work.
Between 1506-1510 Leonardo spent time in Milan working on
behalf of the very generous French King Lois XII. In 1513 he travelled to Rome
where he enjoyed the patronage of the new Medici pope, Leo X. Here he worked
with contemporaries such as the great Masters Michelangelo and Raphael. In 1515
he left to settle at the castle of Cloux, near Amboise by the kind invitation
of Francis I of France. Here he spent his last years free to pursue his own
studies. He died in 1519 leaving behind one of the greatest body of artistic
and scientific works.
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